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one which is immediately displayed in the main title theme
Carpenter and Howarth's score is beefier and more intense than before
The second in Carpenter’s “apocalypse trilogy” (sandwiched in between THE THING and IN THE MOUTH OF MADNESS)
Wild and dissonant synthesizer effects are juxtaposed with more traditional melody which suggests the meeting of our world and that of the Anti-God
Batman property_A Nightmare on Elm Street one which is immediately displayedHand numbered.
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